Selected Writing


The New Wave of Female Film-makers Confronting Mexico’s Violence Against Women for The Guardian

Rosé and Grotesquerie at the 75th Cannes Film Festival for ArtReview

On-Screen Quarter Life Crises Get a New Lease on Life for W Magazine

The Films of Nina Menkes for MUBI Notebook

In Praise of Joan Tewkesbury’s Old Boyfriends for Little White Lies

Nature Does the Healing in Kelly Reichardt’s Films for Garage

On Nelly Kaplan’s A Very Curious Girl for Reverse Shot

On Vive le cinéma at the San Sebastián International Film Festival for Variety


Kelly Reichardt’s Showing Up for Little White Lies

Miguel Gomes and Maureen Fazendeiro’s The Tsugua Diaries for The Brooklyn Rail

Maggie Gyllenhaal’s The Lost Daughter for Reverse Shot

Amalia Ulman’s El Planeta for The Brooklyn Rail

Marie Kreutzer’s Corsage for Little White Lies


An Oral History of the Finale of The Wire for British GQ

At the Movies with Claire Denis for Sight & Sound

Stephanie LaCava Reinvents the Sad Girl for The Cut

Joy Gharoro-Akpojotor profiled for the Financial Times Weekend Magazine

Jon Raymond profiled for the First Cow issue of Little White Lies

Self-Making and the Travelogue: Courtney Stephens’ Terra Femme for The Brooklyn Rail

Pietro Marcello on Martin Eden for frieze

Alice Diop on We for Reverse Shot